
Jorge Vera is a visual artist-photographer from Lima, Peru. He works with digital video, photography, and traditional analog, silver and non-silver processes. Jorge Vera es un fotógrafo-arista visual nacido en Lima, Perú, que trabaja con procesos digitales y analogos, impresiónes de emulsion de plata y otros tipos de procesos fotograficos y quimicos altenativos. El crea imagenes con multiples tecnicas plasticas y su obra es conocida por su contenido a veces provocativo. La carrera fotografíca de Vera abarca tres décadas y dos continentes. El trabaja en Perú, y en los Estados Unidos, donde vive desde 1979. Sus primeras experiencias con el medio comenzaron en la decada de los 70’s con una camara de caja Kodak y una camara de plastico Diana en su pequeño cuarto oscuro en Lima. Tambien estudio grabado y escultura en el Instituto Peruano de Cultura. En los Estados Unidos, se le concedió una beca en Webster University, St Louis, Missouri, donde estudió ciencias de la comunicación con enfasis en fotografía. Estudio fotografia con Susan Hacker Stang, http://pop.webster.edu/~stangsh/ y con la fotografa de diseño comercial y arquitectrura, Alise O’Brien, http://aliseobrienphotography.com/. Estudio cine, animación, video y produción con el videografo, Van McElwee, www.vanmcelwee.com/index.php. En Webster Unversity Vera comenzó su trabajo de imágenes icónicas del Medio Oeste (Midwest) de los Estados Unidos, fotografíanado espacios urbanos y rurale. Obra que refleja su experiencia de aislamiento como imigrante en otro continente. Su primera muestra individual, “Seldom Seen” (“Poco Visto”) en 1989, se enfoca en Missouri y Arkansas http://photo.net/photodb/photo?photo_id=4185208 y debuta acertadamente en las galeria Banco Mark Twain, en Saint Louis. En 1993, Vera se translada a Miami Beach, Florida, donde es aceptado como artista en residencia (artist-in-residence), y miembro docente (1996-2001) del Art Center South Florida, en South Beach. Allí comienza a concentrarse en su trabajo de estudio, fotografiando desnudos ("Fertiility Series"), y construyendo cajas de luz con transparencias litograficas ("fish out of water-or-gone fishing") , y creando foto-montages y collages. Es este periodo la obra de Vera atrae la atención de curadores, coleccionistas y galeristas de arte y se exhibe en decenas de galerías y museos a traves de Florida y los Estados Unidos, con muestras en el Bass Museum of Art (Miami Beach), Fort Lauderdale Art Museum, Orlando Museum of Art, Museum of Art Youngtown, Ohio, Sara Moody Gallery en University of Alabama y Caelum Gallery en Chelsea, New York. En Florida Vera fue representado por la Galeria Daniel Azoulay. La obra de Vera fue exhibida en el proyecto, "Contemporary Latin American Artists" ("Artistas Contemporaneos Latino Americanos), curado por la historiadora de arte Dr. Carol Norman y auspiciado por el Elizabeth Firestone Graham Foundation y el Consejo de Artes del estado de Ohio. La muestra viaja durante 18 meses a 16 museos y galerías en el Medio Oeste y el Sur Este de los Estados Unidos. A mediados de la decada de los 90, Vera viaja repetidamente al Perú para fotografiar su serie "Porters” en Cusco. Este trabajo foto-documental se enfoca en trabajadores indigenas que transportan enormes cargas. En 1999, Vera toma los retratos en la "Casa del Cragador" de los primeros miembros empadronados, del entonces recien formado, Sindicato de Cargadores de Cusco. Desde el cominezo del milenio, Vera viaja a Italia, España, Francia y de regreso al Perú. En 2006, 2008 y 2009 fotografia a mas de 5400 metros de altura en las cumbres nevadas de la Cadena Ausangate, Perú, para fotografiar los rituales indigenas del Qoyllur Rit'i ("Senor de la Estrella de las Nieves"), la peregrinacion indigena mas grande del Hemisferio Occidental. En agosto del 2010 tiene muestra individual "urbanismo" en May Gallery de Webster University
Vera's body of work spans three decades and two continents. He is equally at home in Peru, and in the United States, where he has lived since 1979.
Vera's formal arts training began at the Peruvian Institute of Culture, where he studied sculpture and etching. He then was awarded a scholarship at, Webster University, in St. Louis, Missouri, where he studied mass communications, film-video production and art, with an emphasis in photography with Susan Hacker Stang.
It was as an undergraduate at Webster University that Vera began photographing his iconic images of the American Midwest, photos of vastness, isolation and occasional humor. Vera's first solo show, of black and white images taken in Missouri and Arkansas, debuted at the aptly named Mark Twain Bank, in St. Louis, in 1989.
From 1989-1992 Vera studies historic alternative silver and non-silver, salt-pigment, and carbon based photographic processes at Meramec College in St. Louis.
In 1993 Vera moves to Miami Beach, Florida, where he is awarded a five-year (1996-2001) artist-residency, and faculty position teaching photography at, Art Center South Florida. There he began to focus on studio work, photographing nudes for his "fertiility" series, and building light boxes with transparency litho-film for the "fish out of water-or-gone fishing", series creating photo montages and mixed media collages.
During this period Vera's work attracts the attention of US and European galleries, curators and collectors and was exhibited in dozens of galleries and museums throughout Florida and the United States. Exhibit venues included the Bass Museum of Art (Miami Beach), the Florida State capitol in Tallahassee, Indiana State University, West Tennessee Cultural Arts Center, West Virginia University, the Fort Lauderdale Art Museum, the Orlando Museum of Art, and Caelum Gallery in Chelsea, New York. While in Florida he was represented by the Daniel Azoulay Gallery in Miami's Design District.
Vera's work also was featured in the traveling art show, "Contemporary Latin American Artists," curated by Dr. Carol Norman and funded by the Elizabeth Firestone Graham Foundation, and the Ohio Arts Council. The widely acclaimed show traveled for 18 months to 16 museums and galleries throughout the Midwest and southeastern United States.
In the mid 1990s, Vera began traveling back to Peru to photograph porters in Cusco for his ongoing "Porters" series. Porters documents Cusco's underclass, low-paid, short-lived porters, who transport huge loads on their backs for $2 to $5 a day, working for the multi-million dollar turist industry in the region.
Since the start of the millennium Vera's interests as a photographer and film producer have taken him to Italy, Spain, France and back to Cusco, and the snow-capped Cordillera Blanca (white mountain range) in Peru.
In 2006, 2008 he travels to the 16,000-foot-high peaks of Mount Ausangate, in the southern Andes, to photograph the vanishing rituals of Qoyllur Rit'i ("Lord of the Snow Star"), the largest indigenous religious pilgrimage in the Western Hemisphere; this ancient ice-gathering pilgrimage is threatened with extinction due to the rapid melting of the sacred Qolquepunku glacier, a tragic climatic event which has been triggered by global warming. In May 2009 he returns to Qoyllur Rit'i co-sponsored by, Hasselblad USA to test for the first time the CVFII digital back for the V-system, in extremely hash altitude-low temperature conditions.
His most recent show in Lima was "Ojo de la Puerta" (Peephole), at PPPP Gallery (May 7 - June 7, 2008). PPPP, is the brainchild of artist Alberto Casari, a painter and sculptor in the Duchamps tradition whose works probe the arbitrary boundaries between Art and Product, Self and Other.
Vera's solo exhibit, "urbanismo- visions of self exile and urban life”, opened at the May Gallery, in Webster University, August 27, 2010. Urbanismo is a subjective visual narrative of important impersonal moments in the mundane day-to-day American experience.
His most recent solo show, "urbanismo", opens January 12, 2011 at Vertice Art Gallery in Lima, Peru.
Vera teaches photography at the Academy of Art University, San Francisco, and Centro de la Imagen in Lima, Peru. He is a film producer for ARTE, Television, Strasbourg, and television producer in Peru for NBC-News, Today-Show and Dateline, New York. He is also a freelance photojournalist for the Miami Herald World Desk and, MSNBC.
Visit Jorge's online gallery at photo.net: http://www.photo.net/photos/JorgeVera/
Su mas reciente muestra en Lima de la serie "El Ojo de la Puerta" (“Peephole”), PPPP Gallery (mayo 7 - 7 de junio de 2008), es un recorrido voyueristico a través de South Beach, Florida, la noche del 31 de octubre de 2001. Las imagenes de El Ojo de la Puerta fue realizadas utilizando un lente óptico especial creado por el artista, emulando el efecto de ver a través de la mirilla de una puerta, o El Ojo de La Puerta.
Jorge Vera enseña fotografia en el Centro de la Imagen, Lima, Peru, y es fotografo para el Miami Herald y, MSNBC News New York.
Su mas reciente muestra 'urbanismo" visiones de auto-exilio y vida urbana abre el 12 de Enero 2011 en Galeria de Arte Vertice, Lima, Peru.
Visite su galería en la web: http://www.photo.net/photos/JorgeVera/



(Polar Coordinates, Versailles, (gelatin silver print triptych) 1996, J. Vera)